GUNPLA BUILDERS WORLD CUP
10th TOURNAMENT
World Championship
Australia
Canada
Europe
& Middle East
Hong Kong SAR
Indonesia
Inland China
Japan
Malaysia
Philippines
Singapore
South Korea
Taiwan
Thailand
U.S.A.
Vietnam
Australia
Representative of U-20 COURSE
from Australia
Tide
Tristan Angel
I used the MG Alex 2.0 and MG Gundam MK.II 2.0 to do my first kitbash, using different parts from both of them. I also used different marterials such as different types of putty and pla-plates, and did some scribing. I gave the model a dulled down colour pallete as well, not wanting it to be bright and joyful. I decided to remove some of it's limbs and add some wiring coming out, and heavily damage it with a variety of methods such as using a knife, souldering iron, and lighter.
Along with my first kitbash, I also did my first diorama. I chose to do a beach theme, wanting to experiement with different elements such as rocks in the cliff face, trees, grass, sand, and water.
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Europe & Middle East
Representative of U-20 COURSE
from Europe & Middle East
The Guardian Angel
Hedia
For Wing Gundam, I made it look old by using model colouring(stain brown, flat black and flat aluminium), also I used the Matt spray to make it look better.
For Wing Gundam Zero, I use Matt spray to make it look less plastic, and I made it stay white so it look like an angel.
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Hong Kong SAR
Representative of U-20 COURSE
from Hong Kong SAR
Breakout
Imw
The diorama was made with my old Gundam kits and components. I was interested in the scale difference of 1/100 Amatsu Mina kit and 1/144 RG Exia, and wanted to create a scene that demonstrates the fascinating setting among Gundam kits. Exia is decorated with battle damage and weathering to show the obstacles it went through during its escape. Amatsu Mina has a similar rocky texture to the ground as it comes from the underground and somehow is part of it. Fluorescent parts were painted in orange as the lava to unify the tone of the piece.
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Indonesia
Representative of U-20 COURSE
from Indonesia
The Emperor
Arya Mikhail Ibrahim Soedjono
The initial concept of this project was that I imagined a time when there was a new power from Zeon that tried to create a very strong and tough mobile suit that would later become the leader of Zeon.
I created this model kit from a combination of sinanju and sazabi MG, into a centaur-shaped model kit. One of the challenges of this project was when I had to make several body joints to adjust the body proportions of sinanju and sazabi to become a centaur, including when I had to change the hind legs taken from sazabi into the shape of horse legs.
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Inland China
Representative of U-20 COURSE
from Inland China
-THE LAST ZEON-
Feng ZheKai
Inspired by the TRS series design style of Gundam AOZ, using "HG NZ-999 New Gion" as the main body transformation and combine "PG RX-178" skeleton as the core support to adjust the proportion. This work is used more than twenty sets of Gunpla model parts to mix and match with part of the homemade outer armor . All parts of the body have been adjusted and details added. Size: H: 48.3 W: 39.8 L: 49.2 (CM)
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Japan
Representative of U-20 COURSE
from Japan
The spirit of Zeon
FA green
I created the Neue Ziel, a massive Mobile Armor, using parts from a variety of GUNPLA. I applied gradations when painting to create three-dimensional effects. One of the main features of this piece is the torso of the Zaku II, a symbolic Mobile Suit of the Zeon Forces, used as the central structure to express that the MS is the foundation of the spirit of Zeon.
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Philippines
Representative of U-20 COURSE
from Philippines
Coup d etat Qubeley Evolved
Nico Suratos
The focus of the build was to maximize the design of the MG Qubeley without the use of resin parts or kitbash too much. My goal was to make a more menacing and evolved Qubeley by combining two MG Qubeley kits into one Qubeley Evolved Version. I was able to do this by chopping up the parts and combining into one. I combined the 2 waists together, extended the feet, chopped up the head and inserted a wire. And combined all the armors into one. I wanted the design to look mature therefore I did not do a ton of scribing and detailing that sometimes will look to noisy and crowded, I wanted the design to speak for itself and look impressive without looking overly detailed.
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Singapore
Representative of U-20 COURSE
from Singapore
"Take Cover!!!"
mnqh_project
The gundams in general are weathered acrylic paint for the heavier mud of some streaks along with some weathering pigments that highlights the gundams detail edges with mud, soot and snow. Panel line is done with Tamiya panel accent and enamel thinner to clean the panel lines. A dark green grey acrylic wash on the general body
1996 HG Gundam Ground Type, Masking is done on the to replicate the chest vents, eyes and machine gun ammo pack.
The 2018 Gundam Ground Type hiding in the trench with beam rifle has a modified head to use the optional head parts of the 1996 ver.
Gundam getting hit by the mortar explosion has its right feet and arm blown off, with some wires and cut plaplate to show mechanical interior damage, and has a heavier dark greenish grey wash.
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Taiwan
Representative of U-20 COURSE
from Taiwan
Battlefields, Countless deaths and injuries, Only for peace
Ji Li
Through hundreds of battles, I only want a day of peace. The pirate does not seek looting, burning, and killing. But to be able to live the next life in peace and quiet.
My younger brother gave me this valuable birthday present when he was 7. I hope we will never fight again and take this work as a symbol of our brotherly love and a bright future!
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Thailand
Representative of U-20 COURSE from Thailand
Big-game Hunter
Phum Pimpipat
In the concept of a world where Gundams are being used for dealing with virus-corrupted machines.
In this scene a Gundam pilot has got hired to take down one big beast unit.I created this work by kit-bashing 100% gunpla into machine unit and remodeled the underrated kit, MG Age-2 Normal. All painted with weathered-look to explain how intense this hunting job has been, presented in vibrant autumn diorama to create contrast between colors of the work.
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